Gallery#2

THE SOFT CONVERSATION - Acrylic on stretched canvas H: 30" x W: 20" This is my soft and delicate impression of the quiet and still ocean. The geometric patterns across the canvas are waves of imagination. The sandy textured strips of real sand from a nearby beach, should evoke in viewers the most pleasant atmosphere and senses of the salty water and a beach. The shell is painted in a very realistic way to bring the most natural colors of the object.
THE SHARK BAY - Oil on stretched canvas ( triptych) H: 39.5" x 88.5" Inspired by travels in Western Australia, and thousands of photographs over more then two decades, I created this piece before moving to Queensland. This artwork resulted by combining two art-disciplines: painting and printmaking, which was my major at Edith Cowan University. Created in 2008 and retouched/enhanced 2010, this work depicts the harsh swimming environment of the Western Australia coast. Through my expression, I am trying to show the commotion of the water, empty sandy beach, and envoys drama with colors. This TRIPTYCH can be hung together or separately.
THE GOLDEN CHRYSANTHEMUM - Acrylic on stretched canvas (diptych)H: 30" x W: 80" "The Golden Chrysanthemum" is a diptych, which depicts only half of the flower. Each of the painting contains one quarter of the chrysanthemum. Painted in very subtle colors and unique technique this painting can uplift any soul by its grace. My theory sounds quite logical. It doesn’t matter if this is whole flower or quarter, the petals and the smell reminds the same.
PRESERVED MEMORIES - acrylic/drawing ink on stretched canvas H:36" x W: 48" This painting contains the most memorable moments from Gold Coast in Australia. It can preserve memories of any state in the awesome country. Painted in 2016, I really tried to present this painting as a Post Card, which will depict the symbols of our Freedom-Bird, Love to the Ocean-Turtle and the Life in the sun-Shell at the beach.
THE TREE OF LIFE - acrylic/charcoal on stretched canvas H: 48" x W: 36" I created this unusual painting inspired by 2020 floods in Australia. The painting portrays a tree drawn down in charcoal. The background is full of scratched down layers of paint, to give the viewer the idea of terrifying damage caused by the flood. What remains isn’t a healthy TREE OF LIFE, but a lonely ghostly shadow still standing in the water.
2019/20 - acrylic on stretched canvas (diptych) H: 48" x W: 60" Inspired by natural disasters off bushfires in Australia in summer, I have painted this diptych. “2019/20” was created at the time of horrifying event, which struck that beautiful country again; destroying lives, forests and vegetation. Bushfires tend to start when eucalyptus forest have dried out. In Queensland the dangerous period usually accuses in a spring and the low rainfall summer season. The number of bushfires varied from 46,000 to 62,000, average 54,00 fires per year- (THE AUSTRALIAN PRODUCTIVITY COMMISSION)
THE LAST TREE - acrylic on canvas H: 30" x W: 20" To create this painting, I was inspired by the hot and long summer in Australia. Our dry land was subjected to horrifying fires and natural disasters. There is no point to determine, what type of tree is diminishing before us. Each tree is our asset.
SPRING 2017 - acrylic on stretched canvas H: 24" x 24" This acrylic painting depicts the most flowering time in Australia. A colorful blanket covers the bush. I love the countryside in spring, when the colors of lavender and little yellow water flowers, make the most precious view.
CANOLA FIELD - acrylic on stretched canvas (diptych) H: 27.5" x 40" The canola starts flowering almost all over the continent. I painted the canola crop after a long trip south from Gold Coast to NSW in 2018. Raised in a big city, we never had a chance to witness how exactly canola or peanuts grow. September is the month, when the fields are fully in flowers. I’ve captured the Golden Field during the sunset. Golden Canola Field during the Golden Hour.
LAVENDULA - acrylic on canvas H: 20" x 30" Have you ever stopped your car, because the surroundings were taking your breath away ? I experienced this while driving through Tasmania, upon exiting my car, I suddenly realized, I standing in a sea of lavender. It was an unforgettable experience, and finally, I capture the beauty of it in my painting.
GOLDEN COAST - acrylic on canvas H: 36 x 36" This painting depicts the city of Gold Coast from Burleigh Beach. The sun falls over the city during the sunset with creating the hazy horizontal line in the far distance.
TESELATED PAVEMENT - acrylic on stretched canvas H: 48" x W: 36" My painting depicts the Tessellated Pavement at Eaglehawk Neck on the Tasman Peninsula of Tasmania, where the surface has been subdivided into more or less regular rectangles, squares, or even triangles. For me the seashore of Pirates Bay was closer to a manmade mosaic floor than a Creation of Nature.

THE SOFT CONVERSATION - Acrylic on stretched canvas H: 30" x W: 20" This is my soft and delicate impression of the quiet and still ocean. The geometric patterns across the canvas are waves of imagination. The sandy textured strips of real sand from a nearby beach, should evoke in viewers the most pleasant atmosphere and senses of the salty water and a beach. The shell is painted in a very realistic way to bring the most natural colors of the object.
THE SHARK BAY - Oil on stretched canvas ( triptych) H: 39.5" x 88.5" Inspired by travels in Western Australia, and thousands of photographs over more then two decades, I created this piece before moving to Queensland. This artwork resulted by combining two art-disciplines: painting and printmaking, which was my major at Edith Cowan University. Created in 2008 and retouched/enhanced 2010, this work depicts the harsh swimming environment of the Western Australia coast. Through my expression, I am trying to show the commotion of the water, empty sandy beach, and envoys drama with colors. This TRIPTYCH can be hung together or separately.
THE GOLDEN CHRYSANTHEMUM - Acrylic on stretched canvas (diptych)H: 30" x W: 80" "The Golden Chrysanthemum" is a diptych, which depicts only half of the flower. Each of the painting contains one quarter of the chrysanthemum. Painted in very subtle colors and unique technique this painting can uplift any soul by its grace. My theory sounds quite logical. It doesn’t matter if this is whole flower or quarter, the petals and the smell reminds the same.
PRESERVED MEMORIES - acrylic/drawing ink on stretched canvas H:36" x W: 48" This painting contains the most memorable moments from Gold Coast in Australia. It can preserve memories of any state in the awesome country. Painted in 2016, I really tried to present this painting as a Post Card, which will depict the symbols of our Freedom-Bird, Love to the Ocean-Turtle and the Life in the sun-Shell at the beach.
THE TREE OF LIFE - acrylic/charcoal on stretched canvas H: 48" x W: 36" I created this unusual painting inspired by 2020 floods in Australia. The painting portrays a tree drawn down in charcoal. The background is full of scratched down layers of paint, to give the viewer the idea of terrifying damage caused by the flood. What remains isn’t a healthy TREE OF LIFE, but a lonely ghostly shadow still standing in the water.
2019/20 - acrylic on stretched canvas (diptych) H: 48" x W: 60" Inspired by natural disasters off bushfires in Australia in summer, I have painted this diptych. “2019/20” was created at the time of horrifying event, which struck that beautiful country again; destroying lives, forests and vegetation. Bushfires tend to start when eucalyptus forest have dried out. In Queensland the dangerous period usually accuses in a spring and the low rainfall summer season. The number of bushfires varied from 46,000 to 62,000, average 54,00 fires per year- (THE AUSTRALIAN PRODUCTIVITY COMMISSION)
THE LAST TREE - acrylic on canvas H: 30" x W: 20" To create this painting, I was inspired by the hot and long summer in Australia. Our dry land was subjected to horrifying fires and natural disasters. There is no point to determine, what type of tree is diminishing before us. Each tree is our asset.
SPRING 2017 - acrylic on stretched canvas H: 24" x 24" This acrylic painting depicts the most flowering time in Australia. A colorful blanket covers the bush. I love the countryside in spring, when the colors of lavender and little yellow water flowers, make the most precious view.
CANOLA FIELD - acrylic on stretched canvas (diptych) H: 27.5" x 40" The canola starts flowering almost all over the continent. I painted the canola crop after a long trip south from Gold Coast to NSW in 2018. Raised in a big city, we never had a chance to witness how exactly canola or peanuts grow. September is the month, when the fields are fully in flowers. I’ve captured the Golden Field during the sunset. Golden Canola Field during the Golden Hour.
LAVENDULA - acrylic on canvas H: 20" x 30" Have you ever stopped your car, because the surroundings were taking your breath away ? I experienced this while driving through Tasmania, upon exiting my car, I suddenly realized, I standing in a sea of lavender. It was an unforgettable experience, and finally, I capture the beauty of it in my painting.
GOLDEN COAST - acrylic on canvas H: 36 x 36" This painting depicts the city of Gold Coast from Burleigh Beach. The sun falls over the city during the sunset with creating the hazy horizontal line in the far distance.
TESELATED PAVEMENT - acrylic on stretched canvas H: 48" x W: 36" My painting depicts the Tessellated Pavement at Eaglehawk Neck on the Tasman Peninsula of Tasmania, where the surface has been subdivided into more or less regular rectangles, squares, or even triangles. For me the seashore of Pirates Bay was closer to a manmade mosaic floor than a Creation of Nature.